The text by a Roman author below is an allegory to describe the moment beauty and skill became the driving force of western art. Ancient Rome saw painting come into its own as an art form, beyond simple decoration, and contemporary commentators, such as Pliny, felt it needed a quasi-mythical origin.
According to Pliny(XXXV.88, 81): It was Apelles who established the reputation of Protogenes when he made it known that he, himself, was buying his work with the intention of selling it as his own. Only then was the artist appreciated by his countrymen. Once, he visited Protogenes, only to find that he was not at home. On a large panel in the man’s studio, he painted a single fine colored line. When the artist returned and saw what had been done, he knew his visitor to have been Apelles. He then drew an even finer line in another color exactly over the first one. When Apelles came again, he drew a third line, this time so exquisitely fine that no other could be drawn.
Bibliography
Natural History, Pliny
Encyclopaedia Romana
This article was posted on
Wednesday, February 11th, 2009 at
05:20.
It is archived in Art, Myth and tagged Antiquity, Art, artists, Classical, History, Rome.
If you enjoyed this article, please help The Inquisition grow by sharing it.
Pingback: Garlic | The Inquisition
